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This image released by Warner Bros. Entertainment shows Elizabeth Debicki, left, and John David Washington in a scene from “Tenet.” (Melinda Sue Gordon/Warner Bros. Entertainment via AP)
NEW YORK — The first wave of big new movies released since the beginning of the pandemic, including Christopher Nolan’s mind-bending thriller “Tenet” and the long-delayed “X-Men” spinoff “The New Mutants,” arrived in theaters over the weekend, testing the waters of a radically different theatrical landscape.
Warner Bros.’ “Tenet” — the most hotly anticipated movie of the year and the one that has repeatedly positioned itself to lead the return of multiplex moviegoing — opened with an estimated $53 million overseas in 41 markets, including most of Europe, South Korea and Canada.
Given the circumstances, it was difficult to forecast the performance of the $200 million “Tenet,” starring John David Washington Robert Pattinson and Elizabeth Debicki. But the result exceeded the expectations of most. Toby Emmerich, chairman of Warner Bros. Pictures Group, called it “a fantastic start.”
“Given the unprecedented circumstances of this global release we know we’re running a marathon, not a sprint, and look forward to long playability for this film globally for many weeks to come,” said Emmerich in a statement.
While many of Hollywood’s largest productions have postponed their release and others have rerouted to streaming platforms, Warner Bros. gambled that “Tenet” could roll out abroad first, and then gradually debut in the U.S.
So far, it seems to be working. The overseas opening for “Tenet” was greeted by some as proof that blockbuster moviegoing can be resurrected even while the virus continues to circulate and large indoor gatherings are considered higher risk.
As part of their safety protocols, movie theaters are mandating mask wearing, cleaning cinemas in between showings and operating at 50% capacity to distance moviegoers usually crowded shoulder to shoulder.
“The strong international debut of Christopher Nolan’s ‘Tenet’ is an emphatic statement that audiences around the world are ready to return to theaters where local guidelines allow,” said Rich Gelfond, chief executive of IMAX. The large-format exhibitor accounted for $5 million of the film’s box office.
In nine markets, including Ukraine and the Netherlands, “Tenet” did better than any previous movie directed by Nolan, including “The Dark Knight.” It was the largest opening yet in Saudi Arabia, which in 2018 ended its ban on cinemas. In the United Kingdom, “Tenet” accounted for 74% of ticket sales, Warner Bros. said.
“Tenet” will open this week in the U.S. and China, the two largest markets. In the U.S., the conditions remain far from ideal. About 60% of theaters are currently open. The largest chains, including AMC and Regal, r eopened the week prior.
Any new release is trying to coax moviegoers back to the movies — any movie — in the midst of the COVID-19 pandemic.
In the U.S. over the weekend, the Walt Disney Co.’ “The New Mutants,” a critically panned horror riff for Marvel made by 20th Century Fox before the Disney acquisition, led the domestic box office with an estimated $7 million in 2,412 locations. Cathleen Taff, Disney’s president of global distribution, called it a success for times requiring recalibrated expectations.
“We continue to have faith and believe in the theatrical experience. We think consumers are ready to start having that experience with others sooner rather than later,” Taff said. “We’re encouraged. We’re very encouraged.”
Disney will next week release the live-action remake of “Mulan” for a $30 digital rental through its streaming service, Disney+. Originally slated for theatrical release in March, it’s the most expensive movie yet to go straight to the home. Taff, though, said she’s optimistic about upcoming releases coming to theaters.
“Of course it’s not going to be a linear process. We’ve been upended for sure, along with many other industries. But we have to continue to pivot and adjust our approach in real time,” said Taff. “Right now we’re feeling pretty good.”
Theaters remain closed in several states, including New York and California. On Friday, California Gov. Gavin Newsom released guidelines that could allow county-by-country reopening of cinemas.
United Artists Releasing’ “Bill & Ted Face the Music” debuted Friday on video-on-demand. The company didn’t provide rental grosses Sunday, but it also put “Bill and Ted” in 1,007 North American theaters where it made just shy of $1.1 million.
Theatrical release may be harder for adult-skewing specialty fare whose audiences are historically harder to get out of the house. Fox Searchlight’s “The Personal History David Copperfield,” a Charles Dickens adaptation by Armando Iannucci (“Veep”), opened with $520,000 from 1,360 theaters.
“The results, while modest, signal a return to the cinema for moviegoers who are yearning for the majesty of the big screen,” said Frank Rodriguez, distribution head for Searchlight.
After burying her “truth for so long,” Paris Hilton has finally decided to open up about the traumatic experiences she had during her teenage years, which, to this day, continue to give her “nightmares.”In a recent interview with People magazine to promote her upcoming YouTube documentary, “This is Paris,” the entrepreneur and socialite revealed that she endured physical, mental and emotional abuse on a daily basis during the 11 months she spent at the Provo Canyon School (PCS) in Utah in the late 1990s.
“I knew it was going to be worse than anywhere else. It was supposed to be a school, but [classes] weren’t the focus at all,” Paris said of the school, which purportedly focuses on the mental and behavioral well-being of troubled youth. “From the moment I woke up until I went to bed, it was all day screaming in my face, yelling at me, continuous torture.”
Paris, an heiress to the Hilton hotel empire, admitted that her parents’ strictness compelled her to rebel during her teens. She would often sneak out to attend parties and go clubbing. And while her parents punished her by taking away her cell phone and credit card, that didn’t stop her from going out on her own.
In hopes of setting her straight, Paris’ parents sent her to different boarding schools, the last one being PCS.
“The staff would say terrible things. They were constantly making me feel bad about myself and bully me. I think it was their goal to break us down. And they were physically abusive, hitting and strangling us. They wanted to instill fear in the kids so we would be too scared to disobey them,” she recalled.
Paris was cut off from the outside world and got to communicate with her family just once every two or three months. And when she once dared tell her parents about how she was being treated, she “got in so much trouble, I was scared to say it again.”
“They would grab the phone or rip up letters I wrote telling me, ‘No one’s going to believe you,’” Paris recalled. “And the staff would tell the parents that the kids were lying. So my parents had no idea what was going on.”
Paris contemplated running away from PCS at one point. But her plans were thwarted by a classmate who snitched on her. She was put in “solitary confinement” as a result.
“They would use that as punishment, sometimes 20 hours a day,” Paris, now 39, related. “I was having panic attacks and crying every single day. I was so miserable. I felt like a prisoner and I hated life.”
People reported that Universal Health Services, which currently runs PCS, declined to comment on Paris’ claims, because the facility was under a different ownership and operations during her time there.
Paris left PCS and returned to her home in New York City in 1999 when she was 18. She never told anyone about what she had experienced. “I was so grateful to be out of there so I didn’t even want to bring it up again. It was just something I was ashamed of, and I didn’t want to speak of it,” she said.
Reflecting on her life thus far, Paris, who had since become a household name via the reality television show “The Simple Life,” said she’s proud of the “strong woman” she has become.
“People might assume everything in my life came easy to me, but I want to show the world who I truly am,” stressed Paris, who plans to watch her documentary with her parents once it debuts on her YouTube channel on Sept. 14. “I think it will be good for us, but emotional, too. There are no more secrets.”And while she’s not planning any legal actions, Paris wants facilities like PCS “shut down.” “I want them to be held accountable. And I want to be a voice for children, and now, adults everywhere who have had similar experiences. I want it to stop for good. I will do whatever I can to make it happen,” she said. INQ
Former beauty queen-turned-actress Azenith Briones said she has already come to terms with the death of her husband, Eleuterio Reyes, who was among the casualties of the 2017 Resorts World Manila attack.
“I’ve already accepted the fact that he is gone,” Azenith told Inquirer Entertainment. “I’ve forced myself to move on because it has already happened and there’s nothing I can do about it anymore. It’s useless if I continue feeling sad. My close friends kept telling me, ‘life has to go on for you.’”
Of course there were times when she would really miss her husband, especially when she’s alone. “But I’m not really the type who’s prone to melancholy. I just maintain a positive disposition. I’m not easily defeated by the problems that I encounter in my life,” Azenith declared.
The actress said she also has to be strong for their four children: Joseph Dante, Preciosa, John Rey and James Matthew.
Azenith said she’s glad she has been be able to spend time with two of her children since the enhanced community quarantine was declared in March. The Reyeses are currently staying at their sprawling 5,000-square meter farm in San Pablo, Laguna province.
“We have no COVID-19 case in our barangay so we are able to roam around, but we’re very protective of each other,” Azenith said, adding that she has stepped out of the house to buy barbecue for dinner at the time of our phone interview.
“While some of my friends get anxiety attacks because of the virus, I don’t think about it much. I always look at the brighter side. I just make sure God is the center of my life. I also see to it that my children and I are healthy, of course,” she emphasized.
Azenith joined show biz when she was 18. From Laguna, she tried her luck in Manila because she said, “I’ve always wanted to become famous.”
She decided to first focus on fashion modeling, as an influence of her fashion designer mentor, Rudy Fuentes. She modeled alongside the likes of Charo Santos-Concio. She also joined Mutya ng Pilipinas in 1975 and ended up as second runner-up and Miss Photogenic.
Her mentor, who was a classmate of the late comedian Dolphy, said the latter was looking for a fresh face to include in a film project. “I kept saying ‘no’ because I was insecure. I didn’t have any acting experience. At that time, acting workshops still wasn’t a thing,” Azenith explained. “Rudy kept prodding me. He said, ‘others kept auditioning and failing, while Dolphy already wanted you to be the leading lady. Aayawan mo pa?’” That project eventually became Dolphy’s hit film “Omeng Satanasia,” released in 1977.
Azenith’s movies were much awaited by her fans, especially the Joey Gosiengfiao cult classic “Temptation Island” (1979), where she played a con artist who plans to rig a beauty contest by using her sexuality to influence the judges to vote for her.
“I realized, ‘malaki pala ang kita!’ I really had a lot of personal plans then. I had wanted to buy my own car and earn enough money to build my own house, even before I got married,” Azenith recalled.
She was also seen in action films like “Dangerous Fist” (with Lito Lapid, 1979), “Totoy Magnum” (with Ace Vergel, 1980), “Boy Negro” (with National Artist for Cinema Fernando Poe Jr., 1980), and “Totoy Scarface” (with Anthony Alonzo, 1981). She worked opposite Panchito in the comedy flick “Johnny Tango” (1982).
“I know that I can’t just be an actor forever. What if I don’t have movies anymore? That’s when I thought of selling jewelry on the side. I had a jeweler aunt whom I helped by selling her stuff; at the same time, I also sold clothes and shoes to my workmates. I was also known for my beef tapa. I was like a rolling store then,” she added, laughing.
Azenith quit the biz when she got married. Her last project was the sexy film “Paraisong Gubat” in 1986.
These days, Azenith enjoys staying at her farm “to supervise the construction of pavilions. I want to turn the property into a private resort.”
Will she be willing to return to acting when the pandemic ends? Azenith answered in the affirmative. “It will really depend on the role. I’m interested in playing a ‘kontrabida.’ I think going back to acting would be fun. Kumikita ka na, nalilibang ka pa!” she said. “I never really lost touch with my close friends in the business. We would still talk with each other once in a while.”In 2011, Regal Entertainment matriarch Lily Monteverde made an offer that Azenith couldn’t refuse. Along with Deborah Sun, she appeared in the remake of “Temptation Island,” directed by Chris Martinez
The remake is topbilled by Marian Rivera (who played Azenith’s role), Heart Evangelista, Lovi Poe, Solenn Heussaff and Rufa Mae Quinto.
Asked to share her observation on the difference of working in the biz then and now, Azenith said: “These days, actors’ finances are well taken care of because they have managers. I know of former workmates who are now struggling financially because they failed to handle their finances well. Actors of today, even though they don’t make movies, just ‘teleseryes,’ big-time na.”
Despite having appeared in over 40 films, Azenith is still best identified with her character in “Temptation Island.” She is aware that her famous line (“You see, I’m a crook, a damn good crook; and I can tell another crook when I see one—tulad mo”) is still known even to the younger movie-going generation.
“Up to now, people, especially young gays, would come up to me to say that my character is their favorite. Then they’d proceed to mimic me. This always made me laugh,” Azenith said. INQ
Producers of the health-oriented program “Healing Galing” claimed they were never notified of broadcasting network TV5’s decision to take the program off the air and replace it with the fitness show “Fit For Life.”
This was despite the fact that “Healing Galing” has an existing contract with the Kapatid network until Dec. 31, 2020, according to supervising producer Nestor Tan.
Tan said “Healing Galing” followers have flooded the comments section of Radyo 5’s Facebook account “expressing their disgust and bewailing the sudden disappearance of their favorite Sunday morning show,” which went off the air on Aug. 16, from 7 to 8 am.The comments were mostly from elderlies who have been following the program hosted by naturopathic doctor Edinell Calvario.
“They also said they were enlightened by the doctor’s holistic approach in addressing their health conditions using various organic plants and herbs. Over the last five years of continuously following the show, they have proven and tested that they are effective,” the program’s official statement stated.
Followers then appealed to TV5 management not to change the program to “Fit For Life,” the show to be hosted by Jessy Mendiola. “They said it is not suited for them—it’s best for the younger ones. They hoped for the fitness show to be moved to the next hour,” said Tan.
Tan said neither he nor production manager Manny Martinez was notified about the changes in TV5’s programming schedule. They have also “prepared” 11 episodes and are saddened that these could no longer be aired.
They also revealed that for the last five years, “Healing Galing” is the only program that has gathered awards for TV5 for best public service.
Calvario could not be reached for comment on the status of her show because, according to the program’s official statement, the “Healing Galing” host is busy as president of the Women Investors Association of the Philippines Inc. (Wiapi)—which “is focused on coordinating with the local government units for a holistic approach toward treatment of COVID-19.” Meanwhile, Perci Intalan, TV5 head of programming, told Inquirer the Kapatid network management would still have to consult its legal team on the matter before releasing an official statement. INQ
With the aim of developing, protecting and preserving Philippine culture and arts, the National Commission for Culture and the Arts (NCCA) has announced that it will be accepting project proposals for the 2021 Competitive Grants Program (CGP) until Sept. 30.
The commission, led by chair Arsenio “Nick” J. Lizaso, gives grants to “artists and cultural groups that contribute significantly to the Filipino’s cultural legacy as means to extend artistic achievement.”In a statement, the NCCA explained that the CGP is anchored in its “vision of a Filipino people with a strong sense of nationhood and deep respect for cultural diversity and aligned with the Philippine Development Plan (PDP) on culture.”
The CGP has three elements: Project-based, of which the eligible proponents are Filipino citizens based in the Philippines, local government units, state universities and colleges, public schools, indigenous peoples’ organizations, peoples’ organizations, government agencies, and civil society organizations;
Second is the competitive element, of which the approval of a project proposal must pass through a rigorous and confidential evaluation process based on merit such as quality and relevance to Commission priorities;
Lastly, the fund transfer, of which the approved projects are entitled to funding subject to applicable government accounting and auditing rules and regulations.
Interested organizations or individuals must submit only one project proposal. For more inquiries, contact the NCCA or visit its website, NCCA.gov.ph. —Marinel Cruz INQ
Radio station MOR 101.9 gave a final emotional goodbye to its loyal listeners on Friday, Aug. 28, as it stands being one of the casualties in the ABS-CBN shutdown.
Radio jocks and musicians united for one night that was both a celebration and a time to grieve the losses of jobs and the community which the station had built. The farewell event was streamed on Facebook Live.
Former MOR DJs Chinapaps and Bob Zilla returned to host the online event. DJs Chacha, Toni Aquino, Reggie V, Popoy, Jhai Ho, Maki Rena, Joco Loco, Biboy Bwenas, Chico Martin, Eva Ronda, Onse, Nicki Morena, Bea, Kisses Galicia, Ana Ramsey and Kimbo addressed fans with heartfelt messages and could not help but shed tears.
MOR 101.9 DJs reunite online for a final farewell. Image: screengrab via Facebook/@mor1019
DJs shared their sentiments in batches, with music from top OPM artists playing in between. Gratitude was a common theme among the messages, with many being thankful they were chosen to be DJs and that they had followers at all. At the same time, they expressed heartbreak that they were losing not just a job but a company they felt was home.
Chacha, who has been with MOR for 12 years, said being let go was like going through the pain of her first breakup. She recalled going to Quiapo to pray so that she could fulfill her dream of working in the station.
DJ Chacha Image: Facebook/@mor1019
“Masakit, mabigat sa loob magpaalam dito sa tahanan ko,” DJ Chacha said. “Pero naniniwala akong may dahilan kung bakit kailangan pagdaanan natin ‘to.”
(It is painful and heavy to say goodbye to my home. But I believe there is a reason for why we have to go through this.)
Others like Nicki Morena and Chico Martin felt their stints had been too short — Nicki started in 2018 while Chico was only 7 months into the job.
DJ Nicki Morena. Image: Facebook/@mor1019
Joco Loco also broke down in tears, saying that ABS-CBN had made them feel appreciated.
“Pinararamdam sa amin na importante tayo kaya sobrang nasasaktan ‘pag may sinabing ‘di maganda,” he said.
(The company made us feel that we are important which is why it hurts so much when something bad is said about it.)
Reggie V meanwhile assured his colleagues, “Something great is there for all of us.”
MOR went off-air in May after the National Telecommunications Commission ordered ABS-CBN to shut down. It has been streaming only on social media for the past months.
Besides MOR, ABS-CBN shuttered a number of its groups such as ABS-CBN Regional, ABS-CBN News’ current affairs arm and ABS-CBN Sports on Friday. It is unable to sustain operations after its franchise renewal was denied by Congress in July. JB
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“League of Legends” virtual band K/DA has returned with their latest single, “THE BADDEST”. Image: courtesy of League of Legends/YouTube
Ahead of this year’s “League of Legends” world championship in Shanghai in September, the virtual members of K/DA have made their return with the new single “THE BADDEST”.
For the occasion, “League of Legends” characters Ahri, Evelynn, Akali and Kai’Sa have collaborated with real-world K-pop stars Soyeon and Miyeon of K-pop girl band (G)I-DLE as well as American singers-songwriters Bea Miller and Wolftyla.
“THE BADDEST” marks the long-awaited follow-up to “POP/STARS” which debuted with a live performance at the 2018 world championships. At the time of its release, the catchy single notably topped the Billboard World Digital charts and iTunes’ K-pop charts.
Time will tell if “THE BADDEST” will replicate the success of “POP/STARS” which has garnered more than 366 millions views on YouTube to this date.
Aside from releasing “THE BADDEST”, K/DA teased that they will unveil a full EP at a yet-unannounced date later this year. Details about the project are still scarce to this date, although “a wide breadth of artists” contributed to the forthcoming EP.
Music continues to be a big part of the “League of Legends” experience, as California-based video game developer Riot Games introduced the virtual hip-hop collective True Damage at the 2019 world championship in Paris.
Uncertainty around the 2020 “League of Legends” world championship
Riot Games still has to confirm whether K/DA will perform at this year’s “League of Legends” world championship, which is scheduled to take place from Sept. 25 to Oct. 31 in Shanghai.
Earlier this August, the esports tournament organizer announced that it will rely on “local guidelines” to decide whether in-person audiences will be allowed for the championship’s finals.
“We continue to use the guidance from various health organizations and local and national authorities to prioritize safety for our players, fans, and everyone involved with bringing Worlds 2020 to life,” Riot said in a statement.
Last year, the World Championship Final between G2 Esports and FunPlus Phoenix reached a record-breaking 21.8 million Average Minute Audience (AMA), and was broadcast in 16 languages. JB
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Fourth Solomon tied the knot with long-term girlfriend Grizelle Anne Gratela in an outdoor ceremony in Quezon City.
The “Pinoy Big Brother” alum described marrying his model girlfriend of 9 years on Thursday, Aug. 27 as “simple and memorable.” The wedding took place at Las Casas Quezon City.
View this post on InstagramA post shared by Fourth Pagotan (@fourthsolomon) on
Gratela said on Instagram that they had wanted a beach wedding in Boracay on March 2021, but that the coronavirus pandemic changed their plans.
“[We] realized that we can’t wait for everything to settle down because it might take years,” she wrote, “[And] we can’t wait much longer so we decided to plan this simple, intimate civil wedding with 30 of our close loved ones.”
View this post on InstagramA post shared by Grizelle Anne P. Gratela (@grizellegratela) on
Following health measures, seats could be seen distanced apart from each other while the joyful mood of the day was brought out in pastel flowers.
View this post on InstagramA post shared by Fourth Pagotan (@fourthsolomon) on
Solomon proposed to Gratela in December 2019 with the San Francisco Golden Gate Bridge as their backdrop. JB
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Denzel Washington (L) has been a helping hand in Chadwick Boseman’s (R) career that was cut short by the latter’s battle with cancer. Image: AFP/Jean-Baptiste Lacroix
Among the Hollywood stars who have paid tribute to Chadwick Boseman after he succumbed to cancer is Denzel Washington.
Washington praised the “Black Panther” star in a statement yesterday, Aug. 29: “He was a gentle soul and a brilliant artist, who will stay with us for eternity through his iconic performances over his short yet illustrious career.”
Washington had a special connection with Boseman: he paid for the latter’s schooling at the British American Drama Academy’s summer program at Oxford University.
Boseman took up directing in Howard University and enrolled in acting classes. One of his teachers was Phylicia Rashad (“The Cosby Show”) who encouraged students to study theater at the British American Drama Academy’s summer program at Oxford University.
When Boseman and his classmates could not afford the program, Rashad tapped celebrity friends to sponsor them. He revealed only in a February 2018 interview with Rolling Stone that his benefactor was Denzel Washington.
Boseman finally got to tell Washington about his act of kindness during a “Black Panther” premiere in New York, a story he recalled on the “Tonight Show” in March 2018. To which the “Training Day” star quipped, “Oh, that’s why I’m here! You owe me money!”
So, when Boseman said, “There is no ‘Black Panther’ without Denzel Washington,” he was also being literal.
One of the late actor’s last films was “Ma Rainey’s Black Bottom”, which is set in 1927 Chicago and is based on Pulitzer Prize winner August Wilson’s play. It also happens to be produced by Washington. Niña V. Guno/JB
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Filipino teen singer Justine Afante wins The Voice Kids UK 2020. /Screencap from the Voice Kids UK 2020 Facebook
MANILA, Philippines — “I’m in so much shock, They were all so good and I didn’t think I was going to be the one.”
An emotional 13-year-old Filipino singer Justine Afante had this to say after she was declared as the grand champion of “The Voice Kids” United Kingdom 2020 on Saturday, Aug. 29.
Filipino teen singer, Justine Afante, is the winner of The Voice Kids UK 2020! 🎉🎤
| 📷Screencap from the Voice Kids UK 2020 Facebook pic.twitter.com/IDArjKf8Ru
— Inquirer (@inquirerdotnet) August 30, 2020
Afante’s final performance was her rendition of Beyonce’s “Listen.”
The teenager also performed a duet of Stevie Wonder’s “Don’t You Worry Bout A Thing” with her coach Pixie Lott.
Afante also lauded Lott for transforming her into a “completely different person.”
29-year-old English singer Lott, likewise, praised the teenager, saying Afante reached higher notes than Beyonce.
“I know how much you’ve grown. You didn’t know you could sing these notes. You were singing these notes higher than Beyoncé. You’ve had that in you all along,” Lott said.
Other finalists were George Elliot from Team Danny Jones, Victoria Alsina, who is also a Filipino singer, from Team will.i.am and Dara McNicholl of Team Paloma Faith.
In the past, five Filipino singers passed the blind auditions of The Voice UK namely, Afante, Alsina, Rachel O’Donnell, Joshua Regala, and Jarren Garcia.
SEOUL — One of the most high-profile music collaborations of this year, Blackpink has teamed up with US pop star Selena Gomez for the group’s long-awaited new single “Ice Cream.”
The sugary song was dropped on Friday at 1 p.m. along with a pastel-tinged music video featuring Gomez herself.
“When we first heard the song, we had a feeling of sweetness filling up our mouth. We thought ‘Ice Cream’ would offer some chilling time for those suffering from this late summer heat. We hope to share this positive energy and vibe we’ve felt from the song with listeners all over the world,” said Blackpink in a written statement released by YG Entertainment.
“It’s such a lovely song, and it’s always exciting to take on a new challenge. We are also excited to meet fans with this bright and upbeat track.”
The group went onto explain that the anthem delivered an opposite vibe from its previous mega hit “How You Like That.” Upbeat and lighthearted, “Ice Cream” truly provides a new cut from the band that has long been centered on aggressive hip-hop sound and warrior-like image. On top of retro-quirky beats, Gomez kicks off the song with her dulcet voice, followed by the Blackpink bandmates’ smooth English lines. The song’s accompanying music video features the girls and Gomez indulging into a colorful ice cream world while decked out in vibrant ’70s-inspired outfits.
“The pastel-toned set, cute props and our colorful outfits that remind of ice cream really went well with the song’s bubbly vibe. A lot of our opinions have also been reflected in the outcome,” said the group
The single also boasts a list of renown producers worldwide, including YG’s in-house producer Teddy, Tommy Brown and Mr. Franks.
Blackpink went onto express its utmost excitement for collaborating with Gomez.
“All four of us are big fans of Gomez. Although we couldn’t meet her in person, we were once again fascinated by her in the process of communication,” said the band of its “Ice Cream” collaborator.
“We were really impressed by her humble and easy-going personality when sharing opinions. We were so glad when Gomez also told us that she was a big fan of us, and we are really satisfied with the outcome that came out from our musical synergy with Gomez.”
In a lead up to the release, both the K-pop act and the US pop star have steadily shared love for each other and dedication to the new smash through a series of tweets and a video-chatting video. Selena has also previously announced a new ice cream flavor from brand Serendipity in a nod to the two acts’ collaboration.
“We are thankful for our fans worldwide. We really anticipate the day when we can sing ‘Ice Cream’ with Gomez on one stage and face each other. We also hope you could lead a happy and healthy life with ‘Ice Cream’ until we meet again soon,” added the group.
Previously, Blackpink had collaborated with Dua Lipa on “Kiss and Make Up” and most recently lent its voice on “Sour Candy” by Lady Gaga.
“Ice Cream” is the second prerelease single off Blackpink’s highly anticipated first full length album “Blackpink: The Album” due out on Oct. 2.
SEOUL — Popular tvN drama series “It’s Okay to Not Be Okay” has been slapped with a warning by the Korea Communications Standards Commission for sexually suggestive and inappropriate scenes.
The broadcast censorship body on Wednesday held a subcommittee and decided to issue a legal sanction to the television series for several breaches against the broadcast deliberation regulations, including Article 27 on duties of integrity and Article 30 on gender equality.
“Even considering the fact that they were meant to exaggeratedly express a character’s personality, (the scenes in question) show how insensitive the drama’s producers are to gender equality in broadcasting content that may belittle a certain gender and hold the possibility to justify sexual harassment and molestation,” the subcommission said, adding the use of excessive abusive language in the series also contributed to the decision.
In the third episode of the series that aired June 27, female lead Mun-young, a figure with a personality disorder, overtly stares and touches male lead Gang-tae’s body as he gets dressed. The drama series was also slammed by internet users for scenes where another male character, who suffers from manic depression and exhibitionism, reveals parts of his bare body, with his genitals covered by a drawing of an elephant.
A “warning” as a legal sanction is considered a heavy penalty here, as it affects the broadcaster unfavorably during the KCSC’s annual broadcast evaluation for license renewal.
The 16-episode set, starring Kim Soo-hyun and Seo Ye-ji and telling the love story of a hurt woman and man who heal each other’s traumas, finished its run on Aug. 9.
Melissa Ricks is now engaged!
The actress’s non-showbiz boyfriend Michael Macatangay got down on one knee in an intimate gathering in Batangas yesterday, Aug. 29.
Ricks’s friends, news anchor Gretchen Fullido and actress Empress Schuck, documented the memorable night on Instagram.
Fullido shared photos of her with Ricks showing off her ring, and Ricks being joined by her daughter Keira.
“The intimate surprise engagement happened in Batangas [and] witnessed by close family and friends,” Fullido said.
View this post on InstagramA post shared by Gretchen Fullido (@gretsfullido) on
Schuck meanwhile took a video of the proposal which she shared on Instagram Stories. A backdrop with fairy lights and photos, petals on the ground and a walkway lined with candles made for a romantic scene.
Image: Instagram/@itsempressita
The couple was visibly emotional, both of them wiping tears after Ricks said yes.
Ricks, who has proudly been sharing her journey as a single parent on social media and on her YouTube channel, called her boyfriend an “answered prayer” last November on Instagram as she greeted him on his birthday.
View this post on InstagramA post shared by Melissa Ricks (@mellyricks09) on
She said back then, “Thank you for showing me how love is supposed to be, for taking care of us and I [can’t] wait to see what the future holds.” JB
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